The Fairytale Feminista
Answering life’s questions one fairy tale at a time.
Reruns and other security blankets
I like reruns. I happily rewatch TV shows and movies all the time. I even use reruns as background noise when I work on my editing. I find them comforting and there’s something to be said for watching a thing, while not quite watching and knowing exactly where it’s going.
And yet, I feel bad when I reread books. I have a very long To Be Read pile waiting for me. I have editing (did I mention that?) that I should get done. I also have other responsibilities. Do I have time for stories I’ve already explored?
I like reruns. I happily rewatch TV shows and movies all the time. I even use reruns as background noise when I work on my editing. I find them comforting and there’s something to be said for watching a thing, while not quite watching and knowing exactly where it’s going.
And yet, I feel bad when I reread books. I have a very long To Be Read pile waiting for me. I have editing (did I mention that?) that I should get done. I also have other responsibilities. Do I have time for stories I’ve already explored?
Rereading books is like comfort food. It’s comforting because it’s comfortable and known. There are times, and especially when times are uncertain, when all you want is certainty. A reread book is that—certainty. And I never feel bad rewatching something on Netflix despite having a long watch list.
Do you reread books? Any in particular?
Bad Choices and the Epic Adventure
A couple of days ago I was reading a post on a blog I follow, Life in the Realm of Fantasy, and it posed the question about crisis points for a character. Her example was driving down a road where the signs are missing, but the character keeps driving anyway. I think of a fork in the road—one looks peaceful but long, the other ominous yet short. A character takes the short cut. If you have a minute, you should definitely read her post, Crisis and the Point of No Return—it’ll get you thinking. It certainly did that for me. Are bad decisions necessary for a good story?Try this story: Once there was a woman who received a mysterious letter in the mail. In it she was promised adventures and a great treasure if she agrees to participate in a game fraught with peril. She tears up the letter and says, “Do you think I’m crazy?” and continues with her day.
It was a sound decision. Who in their right mind responds to letters from strangers promising prizes only if the participant agrees to danger? Maybe that’s why so many fantasy novels take place in the past—our modern minds imagine scams, conspiracies, and other rational explanations. The scenario only becomes a story if the woman agrees to the terms, which the everyday person would consider a bad idea. It’s what makes books, TV shows and movies so appealing.As a child, I was very practical. I got into trouble like any other kid, but I was rarely foolish. I saved that kind of thinking for my reading. In reading I was allowed to take the forbidden path and hunt for treasure. My books were about kids who jumped on their bikes after dark and headed for the haunted house in order to free some ghost from a curse. I watched the Goonies and thought they were nuts, but I was glad someone was crazy enough to poke in dank caves for me.Writers are pushed to make situations difficult for their characters. In fantasy, it isn’t enough that the protagonist has a speech impediment—she has to be the only person who can read the magic spell that saves the kingdom and do so without a mistake. Why does she have to do it? If any of us were presented with a similar situation, we’d hide under our beds until the crisis was over.So, does it follow that bad decisions lead to good stories? Maybe yes, maybe no, but sensible decisions rarely become novels.Any thoughts?Special thanks to Connie Jasperson, blogger for Life in the Realm of Fantasy, whose great post sparked an idea for my bloggers block!
On Writing - The Tree
“Writers use words to create the tree under which readers take shelter.” - Me
I read a pretty good blog post the other day about how part of talking to others about your work is tell them how you work. I always thought of that idea as too self-indulgent - the proverbial Facebook post about buying socks – but after seeing it written out I see the sense in it. Writers like to read about how other writers “did it” for inspiration, for strength, and to feel as though we’re not alone in our craziness.
The above quote is something that came to me one morning after a productive writing session followed by a good night’s sleep. I fell asleep the night before wondering why it’s okay to want to be a writer. I’m essentially a practical person and the thought of making my life about writing sounded too ephemeral and (again) self-indulgent. There were other things I could do with my time to enrich not only myself and loved ones, but perhaps the world. Doing something that makes you happy should result in helping others…it should give back. I couldn’t think of how writing could do that. That’s when I imagined this quote.
I remembered all the times reading brought me, joy, peace, safety, and myriad other feelings of well-being. I’ve been transported, fallen in love, learned and caught a glimpse of the sacred. The written word has the power to make you feel whole, sane, connected. I’ll admit that it can also make you feel the exact opposite but the journey is usually invaluable. Priceless. Practical.
So, my moment of “why me” was answered in a cliché.
Why not?
Countless writers have given me pleasure and made me think and I can think of no better way of giving back than to return the favor. I hope to give other readers shelter where they can take a few moments to be more.
Why do you write? Why don't you?
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