The Fairytale Feminista
Answering life’s questions one fairy tale at a time.
Lives in Hyperbole
In real life, Cinderella would have slipped laxatives into her stepmother and step sisters’ morning tea or packed a bag for the next village. The youngest son in The Golden Goose would have refused to go chopped wood after his two older brothers had maimed themselves. Sleeping Beauty would have heard gossip which invariably went around the castle to find out why no one sowed. The brave little tailor would have killed the flies and then saved it as a fun story the next time he went to the tavern. The Three Little Pigs (putting aside anthropomorphized pigs) would have lived together in a brick house they could have built in half the time and avoided the wolf.
In real life, Cinderella would have slipped laxatives into her stepmother and step sisters’ morning tea or packed a bag for the next village. The youngest son in The Golden Goose would have refused to go chopped wood after his two older brothers had maimed themselves. Sleeping Beauty would have heard gossip which invariably went around the castle to find out why no one sowed. The brave little tailor would have killed the flies and then saved it as a fun story the next time he went to the tavern. The Three Little Pigs (putting aside anthropomorphized pigs) would have lived together in a brick house they could have built in half the time and avoided the wolf.
None of that happened because fairy tales live in hyperbole. Maidens aren’t pretty, they are rare jewels. Boys aren’t just resourceful, they luck into whole new lives. Queens are evil or destined to die (or both). Kings give away their daughters to anyone who can solve a riddle or kill a giant. And I accept that in fairy tales because the format is short story, and it must convey its message in a clear and concise way. Archetypes are helpful in short stories.
Lately I’ve been abandoning books that employ archetypes. While I’m fine with Cinderella having a martyr complex for most of the story knowing she’ll get out of her situation, I am less tolerant of novel-length stories about martyrs who constantly make themselves smaller and artificially unobtrusive. I know why the youngest son (the simpleton) had to go and chop wood, but if a story revolves around a protag that falls into danger every time he leaves the house, I’m annoyed. Keeping the secret of Sleeping Beauty’s (the innocent) calamitous christening is a major plot point, but if not sharing a vital piece of information continually causes problems in a book, I become frustrated.
I think I accept archetypes in short stories because I don’t expect characters to grow or have a real arc. That isn’t true in full-length novels, especially a series. I’ve abandoned books and TV shows for just that reason. Fairy tales need a short hand to convey ideas that just doesn’t work in longer stories.
Are there plots or characters you can only enjoy in the short term?
The Valiant Little Tailor and Other Brave Declarations
If ever there was a fairy tale character to look up to, I think Grimm’s The Valiant Little Tailor should be at the top of the list. Here was a man who had no problems telling the world about his amazing deed, even though the “seven in one stroke” he killed were only flies who wanted his jam. It led to other great deeds with giants, unicorns and even marrying a princess.The reason I admire the Valiant Little Tailor (or VLT for short) is his ability to declare his accomplishments to anyone and everyone he meets. I think we all have parts of ourselves of which we’re proud, but don’t date tell anyone. Mine is easy—I’m a writer.I know that sounds like a statement from Captain Obvious, but I find it challenging to tell people I’m a writer. I have this recurring fantasy where I finally tell everyone while simultaneously passing around copies of my newly published book. In a sense, I’m a closeted writer and I only tell people I trust to keep it quiet.But why? As I continue to navigate the publishing world, words like platform and following keep popping up. I know my silence will only hurt my chances of generating buzz and keeps me from things like Facebook and Twitter. Even this blog has the name FairytaleFeminista, but I’ve never listed my name. It’s hard to put yourself out there, but people who want to make their living in creative fields have to do it constantly.Writing becomes so personal because it’s mostly you and your words inhabiting a cozy universe of your making. In this world you can delete the unpleasant bits, reword the awkward phrases, and configure personalities that fit into your creation. When your writing becomes public, you can’t erase what other people think, do, or write about your work. And honestly, who’s a bigger control freak than a person invents people and decides their fates based on the needs of a plot. Doctors have nothing on writers when it comes to a God complex!Was VLT on to something? Should we just emblazon our truth on a sash and wear it out in the world? When is the right time to “come out” to friends and family about your literary aspirations? Will it be more like a debutant announcing herself at a cotillion or am I declaring my alternative lifestyle, horrifying the practical 9 to 5ers in my life? Well, I’ve taken a few positive steps in that regard and introduced myself as a writer to a stranger. That was easy. Let’s try some more.Hello, my name is Ivia Cruz and I’m a writer. I’ve written three novels and I’m working on a fourth.That felt good.Now what should I do about that LinkedIn page?How about you? What’s your VLT story?
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