So you want to Write a Series, part III
I’ve left my most cumbersome advice for last, and not because it's April Fools'. It seems appropriate considering that’s what a series is… cumbersome. It can be unwieldy and demanding and yes, fun. These are characters that become people to you. They are real and you’ve named every one of them. And they are so important because they made you a writer. Now here’s the tricky part. You have to learn to ignore them.
<GASP>
Yes, she’s a greedy b*^$# and sometimes she needs to know she’s not the center of the universe. You have other projects (hopefully) and while I was writing my series, tons of ideas for new books, uncomplicated STANDALONE books <sigh> would come to me. I’d write them down and put them in my ideas notebook then get back to the behemoth.
But there were days, sometimes weeks, where I was stuck. It was usually in the editing phase when I needed to connect one scene to another or had to make the difficult decision to cut whole sections. Sometimes the characters were just silent, and I didn’t know how to move forward. So I’d go back to my ideas notebook and start fleshing out one of my completely unrelated stories.
This was hard because I like working on something until it’s done—I’m linear like that (thank you Orb Prophets). But around book 3 I realized there was an end in sight, and I had to have something to write when the series was done. I started purposely ignoring my series in order to further another project. It also helped me deal with the nagging voice in my head that wondered how some of my favorite indie writers release multiple books a year. I don’t think I’m at that level yet, but I have three projects at various states in the writing process that will make it possible for me to release at least one a year. And that’s fine for me.
So the difficult advice to learn this time is, one day your series will end. Have a plan for that day.
